The Characteristics of Florentine Painting as Reflected in the Work of

The Characteristics of Florentine Painting as Reflected in the Work of MasaccioThe Italian rebirth was one of the most productive periods in the accounting of art, with large add up of outstanding masters to be foundin many centres and in all the major fields painting, sculpture, andarchitecture. In Florence, in the first fractional of the fifteenth century,there were great innovators in all these fields, whose formulate tag abeginning of a new era in the history of art. These innovatorsincluded Masaccio in painting,It was Masaccio (1401-28) who, in his brief and amazing c atomic number 18er, wasthe real successor of Giotto and revolutionized Florentine painting.He too gave his figures a grave and noble dignity. His frescoes in theBrancacci Chapel of the church of Santa Maria del Carmine in Florencedid much to coiffure the course of painting from that time on.There are eight briny classical characteristics of Florentine art,which are displayed by both Masaccio and otherwise a rtists are clearlydisplayed in a variety of paintings of which I shall go into muchdetail of three of them, although I will briefly refer to the othereight for a wider knowledge and understanding of the revelation of theFlorentine work from the fifteen century. There is a greateranatomical study to affirm a higher standard of naturalism of figuresthis is displayed my Masaccio in the baptism of Christ. Light is used to give a sense of volumes to the figures this is depictedin the Masaccios dickhead hea...