elationship between art and society :: essays research papers fc

Relationship Between Art And Society MimesisThe alliance in the midst of art and society Mimesis as discussed in the works of Aristotle, Plato, Horace and Longinus The blood between art and society in the works of Plato are found upon his mind of the existence of eternal Forms. He believed that there is a world of eternal, absolute and immutable Forms (the world of the Ideal) and thought that this is proven by when military man is faced with the appearance of any subject in the material world, his mind is moved to a remembrance of the Idea or an absolute and immutable version of the thing he sees. It is this moment of recollection that he wonders about the contrast between the world of shadows and the world of the Ideal. It is in this moment of wondering that man struggles to kick the bucket the world of Forms through the use of primer. Anything then(prenominal) that does not serve reason is the enemy of man. Given this, it is only but logical that poetry should be eradica ted from society. Poetry shifts mans focus away from reason by presenting man with imitations of objects from the concrete world. Poetry, with its focus on mimesis or imitation, has no clean- live value. While Plato sees reality as a shadow of a solid ground of pure Ideas (which in turn is copied by art), Aristotle sees reality as a process of partially realized forms moving towards their ideal realizations. Given this idea by Aristotle, the mimetic quality of art is redefined as the duplication of the living process of nature and its need to reach its potential form. Art then for Aristotle does not become the enemy of society if the artist is loyal in the representation of the process of becoming in nature. Horace, like Aristotle and Plato, also brings to visible horizon a theory of poetry as mimesis. He believes that a poet should assume real life and real manners in a as well as real language of the times. This is because of his belief of the importance of the audiences reac tion to art. Horace focuses on the conventions that an artist must fulfill so that the expectations of the audience whitethorn be met. The audience of that time was composed of both the equites , who expected sport from art, and the senatores , who expected beneficial lessons from art, and so the artist must know his trade and the conventions of his craft so that art may fulfill its ultimate case in society which is both to create pleasure and to instruct.